Choir · vocal rehearsal · In active development · early access
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Where the build is, honestly
Choir is in active development on the Musique suite. In active development This page describes the rehearsal surface’s design and where it is going — not a claim that the voice-part selector, SATB reference chord, and sectional cluster are available for a choral director to use today. They are being built.
What is settled is the surface’s design: voice-part isolation, SATB reference chord, loop range and practice tempo, and an honest count-in. What is being built is the engine that makes them run — the Musique engraver carrying the score, the rehearsal cluster playing the passage, and the SONUS audio engine wiring the count-in to an audible click. We would rather say that plainly than claim the whole thing is live.
If this fits what your choral program needs, early access is how you get in while it is being built. No pricing and no checkout on this page — just a way to start the conversation.
Who Choir is for
The choir director runs the full ensemble and the section rehearsals inside it. You have a score, a room of singers who need to drill an entrance, and limited time. Choir puts the isolate-loop-tempo-count-in workflow into one surface so the section drill is the focus, not the setup — and the same score that drives the full read drives every isolated voice part. It is built for K-12 choral directors and for community and church choir directors running volunteer sections of mixed skill levels, where the time between “where do we start” and a clean first run is the difference between a productive rehearsal and a frustrating one.
The section leader — a student soprano lead or an assistant director running a voice sectional on their own — needs the section’s part, the loop, and the tempo without the full score in front of them. The single-part view is built for exactly that: pick the part, set the loop, run the drill, and report back what still needs work before the next full rehearsal.
The singer who wants to drill their part on their own time can use the part selector independently: pick the voice part, set a loop on the hard measure, slow it down, and work through it alone before the next rehearsal. The SATB reference chord is always visible so the practice is in harmonic context, not just the single note in isolation.
The surface is built on the same Musique suite as the wider music-program tools on the platform, so a school that runs choral, band, and music theory through the platform has one consistent rehearsal engine behind all of them. Choir is the choral face; it is not a separate product that requires a separate account or a separate contract.